//-->MAGICByMISDIRECTIONContentsMagic by MisdirectionTABLEofCONTENTSINTRODUCTIONa.b.c.d.e.f.g.h.i.j.k.l.m.—Which is the cart and which is the horse—Exposing the wheels—Made to measure tricks—Hand-me-downs in magic—Are the classics best?—What makes a trick great? Life—Seven corpses—Peregrinating professors—A "classic" is born—Classics, capability and cads—Blockbusting old ideas—The spectator's think-tank—Seeing and believing.1.CHAPTER I—REAL SECRETS OF MAGICa.—Taking up where we left offb.—New gods for oldc.—Exposing the exposured.e.f.g.h.i.j.k.—Skill or duffer—Giving the bird to the bird cage—Aren't we all duffers?—Ignoring the important—True skill—The real secrets of magic—False whiskers and attention—True or false.2.CHAPTER II—THE IMPORTANCE OF INTERPRETATIONa.—More of the sameb.—Exposure is impossiblec.—Can you read a magician's mind?d.—The performer paints his own picturee.—Interpretation to confoundf.—Convictiong.—By these signs ye shall know themh.—Acting-Diebox deception.3.CHAPTER III—CONVICTION AND NATURALNESSa.—The important ingredientsb.—If you believe it, it's soc.—Convince yourselfd.—Spectator instincte.—Naturalnessf.—How to convince without argumentg.—Disguise and attentionh.—Attention control comes forwardi.—Reasonsj.—The importance of convincing yourself.4.CHAPTER IV—WHATACTUALLY DECEIVES THE SPECTATORa.—Money to burnb.—Marked and borrowed, but found in an impossible placec.—Behind the scenesd.—The plant-Pilferagee.—Disappearing rubberf.—No machinery necessaryg.h.i.j.—All through psychology—The spectator's viewpoint—Disguise and attention—Money cheerfully refunded.5.CHAPTER V—THEPSYCHOLOGICAL EXPEDIENTSa.—Through the rnicroscopeb.—Simulationc.—Dissimulationd.—Interpretatione.—Maneuverf.—Pretenseg.—Ruseh.—Anticipationi.—Disguisej.—Diversionk.—Monotonyl.—Premature consummationm.—Confusionn.—Suggestiono.—Disguise plus disguise plus attention controlp.—And more of the same.6.CHAPTER VI—REACHINGTHE SPECTATOR'S MINDa.—The attack on the spectator's understandingb.—External appearances and interpretationc.—Suggestion and implicationd.—Danger in the direct statemente.—You can't force the spectator' s conclusionsf.—Inducement and persuasiong.—Confusion with a bank noteh.—Deduction versus induction.7.CHAPTER VII—PROCESSESWITHIN THE SPECTATOR'S MINDa.—The spectator must be deceivedb.—The spectator's perceptionsc.—The mind, only, perceivesd.—The spectator's consciousnesse.f.g.h.i.—Magicians must attack the spectator's understanding—Mind stimuli and idea association—The spectator's mind is not a pushover—He is consciously intelligent—Details do the trick.8.CHAPTER VIII—THE IMPORTANCE OF THE NORMa.—How the spectator views the performer's appearanceb.—The important normc.—Discord brings damaging attentiond.—Characteristic naturalnesse.—Bewilderment not deceptionf.—Disguiseg.—Dice and rabbitsh.—Palming a cardi.—Diversionj.—The importance of naruralness.9.CHAPTER IX—THENORM IN SPEECHa.—Speech in deceptionb.—The norm in speech patternsc.—Variations "telegraph"d.—What as well as howe.—Subject matter normf.—Undue emphasisg.—The strength of implicationh.—An example with bondsi.—With tubesj.—The norm in attitudek.—What magic really isl.—Imitation magic-Speech in attention diversionm.—The scorched thumbn.—Any solution destroys deceptiono.—Things important to the magician.10.CHAPTER X—THENORM IN PROPERTIESa.—Properties in deceptionb.—Familiar things accepted more quicklyc.d.e.f.g.h.i.—Handling for deception—A lesson from Kellar—Pulling the lesson apart—Applying the Kellar lesson—Tricky appearance destroys deception—A general idea satisfies the spectator—Strengthening deception by appearance of properties.11.CHAPTER XI—DISGUISEAND ATTENTION CONTROLa.—The magician has but two coursesb.—Disguise and attention controlc.—With a changing bagd.—How important does it seem to the magician?e.—Substituting a stronger interestf.—Disguise in many formsg.—Physical and psychological disguiseh.—Frames, stocks, bottles and miscellanyi.—The effectiveness of mixing the true with the falsej.—A magician's tool does not deceivek.—Disguising the tool.12.CHAPTER XII—SIMULATIONa.—Harping on an old obsessionb.—The true spectator responsec.—We can only baffled.—Seeing versus thinkinge.—Simulationf.—The necessary support to simulationg.—Bowls, egg bags, cigarettes, cards, ropes, turbans, billets, rings, eggsh.—Ultimately all is acting.13.CHAPTER XIII—DISSINIULATIONa.—Dissimulationb.—Acting againc.—Special decksd.—Preparing for dissimulatione.—More rising cardsf.—Bottles, clocks, production boxes, egg bags [ Pobierz całość w formacie PDF ]
Wątki
- Nie prowadzi się wojen, by niszczyć. Wojny prowadzi się z dwóch powodów. Jednym jest władza, drugim pieniądze.
- David D. Friedman - Law's Order; What Economics Has to Do with Law and Why It Matters (2000), Ebooks (various), Geopolitics + Sociology
- David Fraser - Zelazny Krzyz. Biografia Rommla, Ebooks (various), Biografie, pamiętniki, wspomnienia
- Daniel J. Solove - Nothing to Hide; The False Tradeoff between Privacy and Security (2011), Ebooks (various), Geopolitics + Sociology
- Daniel M. Brinks - The Judicial Response to Police Killings in Latin America, Ebooks (various), Geopolitics + Sociology
- David Lynch - Beautiful Dark Scarecrow Filmmakers Series, Film Ebooks (thanx hilakku)
- Dan Jolley - [Alex Unlimited 02] - Split-Second Sight (retail) (), 2014 Best Ebooks
- David Foster Wallace - Everything and More- A Compacy History of Infinity (), 2014 Best Ebooks
- Daniella Gandolfo - The City at Its Limits, Ebooks (various), Geopolitics + Sociology
- Dawny ustrój i rewolucja Alexis De Tocqueville FULL, Inne
- David Eddings - Rubinowy rycerz, książki
- zanotowane.pl
- doc.pisz.pl
- pdf.pisz.pl
- binti.htw.pl
[ Pobierz całość w formacie PDF ]
//-->MAGICByMISDIRECTIONContentsMagic by MisdirectionTABLEofCONTENTSINTRODUCTIONa.b.c.d.e.f.g.h.i.j.k.l.m.—Which is the cart and which is the horse—Exposing the wheels—Made to measure tricks—Hand-me-downs in magic—Are the classics best?—What makes a trick great? Life—Seven corpses—Peregrinating professors—A "classic" is born—Classics, capability and cads—Blockbusting old ideas—The spectator's think-tank—Seeing and believing.1.CHAPTER I—REAL SECRETS OF MAGICa.—Taking up where we left offb.—New gods for oldc.—Exposing the exposured.e.f.g.h.i.j.k.—Skill or duffer—Giving the bird to the bird cage—Aren't we all duffers?—Ignoring the important—True skill—The real secrets of magic—False whiskers and attention—True or false.2.CHAPTER II—THE IMPORTANCE OF INTERPRETATIONa.—More of the sameb.—Exposure is impossiblec.—Can you read a magician's mind?d.—The performer paints his own picturee.—Interpretation to confoundf.—Convictiong.—By these signs ye shall know themh.—Acting-Diebox deception.3.CHAPTER III—CONVICTION AND NATURALNESSa.—The important ingredientsb.—If you believe it, it's soc.—Convince yourselfd.—Spectator instincte.—Naturalnessf.—How to convince without argumentg.—Disguise and attentionh.—Attention control comes forwardi.—Reasonsj.—The importance of convincing yourself.4.CHAPTER IV—WHATACTUALLY DECEIVES THE SPECTATORa.—Money to burnb.—Marked and borrowed, but found in an impossible placec.—Behind the scenesd.—The plant-Pilferagee.—Disappearing rubberf.—No machinery necessaryg.h.i.j.—All through psychology—The spectator's viewpoint—Disguise and attention—Money cheerfully refunded.5.CHAPTER V—THEPSYCHOLOGICAL EXPEDIENTSa.—Through the rnicroscopeb.—Simulationc.—Dissimulationd.—Interpretatione.—Maneuverf.—Pretenseg.—Ruseh.—Anticipationi.—Disguisej.—Diversionk.—Monotonyl.—Premature consummationm.—Confusionn.—Suggestiono.—Disguise plus disguise plus attention controlp.—And more of the same.6.CHAPTER VI—REACHINGTHE SPECTATOR'S MINDa.—The attack on the spectator's understandingb.—External appearances and interpretationc.—Suggestion and implicationd.—Danger in the direct statemente.—You can't force the spectator' s conclusionsf.—Inducement and persuasiong.—Confusion with a bank noteh.—Deduction versus induction.7.CHAPTER VII—PROCESSESWITHIN THE SPECTATOR'S MINDa.—The spectator must be deceivedb.—The spectator's perceptionsc.—The mind, only, perceivesd.—The spectator's consciousnesse.f.g.h.i.—Magicians must attack the spectator's understanding—Mind stimuli and idea association—The spectator's mind is not a pushover—He is consciously intelligent—Details do the trick.8.CHAPTER VIII—THE IMPORTANCE OF THE NORMa.—How the spectator views the performer's appearanceb.—The important normc.—Discord brings damaging attentiond.—Characteristic naturalnesse.—Bewilderment not deceptionf.—Disguiseg.—Dice and rabbitsh.—Palming a cardi.—Diversionj.—The importance of naruralness.9.CHAPTER IX—THENORM IN SPEECHa.—Speech in deceptionb.—The norm in speech patternsc.—Variations "telegraph"d.—What as well as howe.—Subject matter normf.—Undue emphasisg.—The strength of implicationh.—An example with bondsi.—With tubesj.—The norm in attitudek.—What magic really isl.—Imitation magic-Speech in attention diversionm.—The scorched thumbn.—Any solution destroys deceptiono.—Things important to the magician.10.CHAPTER X—THENORM IN PROPERTIESa.—Properties in deceptionb.—Familiar things accepted more quicklyc.d.e.f.g.h.i.—Handling for deception—A lesson from Kellar—Pulling the lesson apart—Applying the Kellar lesson—Tricky appearance destroys deception—A general idea satisfies the spectator—Strengthening deception by appearance of properties.11.CHAPTER XI—DISGUISEAND ATTENTION CONTROLa.—The magician has but two coursesb.—Disguise and attention controlc.—With a changing bagd.—How important does it seem to the magician?e.—Substituting a stronger interestf.—Disguise in many formsg.—Physical and psychological disguiseh.—Frames, stocks, bottles and miscellanyi.—The effectiveness of mixing the true with the falsej.—A magician's tool does not deceivek.—Disguising the tool.12.CHAPTER XII—SIMULATIONa.—Harping on an old obsessionb.—The true spectator responsec.—We can only baffled.—Seeing versus thinkinge.—Simulationf.—The necessary support to simulationg.—Bowls, egg bags, cigarettes, cards, ropes, turbans, billets, rings, eggsh.—Ultimately all is acting.13.CHAPTER XIII—DISSINIULATIONa.—Dissimulationb.—Acting againc.—Special decksd.—Preparing for dissimulatione.—More rising cardsf.—Bottles, clocks, production boxes, egg bags [ Pobierz całość w formacie PDF ]
zanotowane.pl doc.pisz.pl pdf.pisz.pl losegirl.htw.pl
//-->MAGICByMISDIRECTIONContentsMagic by MisdirectionTABLEofCONTENTSINTRODUCTIONa.b.c.d.e.f.g.h.i.j.k.l.m.—Which is the cart and which is the horse—Exposing the wheels—Made to measure tricks—Hand-me-downs in magic—Are the classics best?—What makes a trick great? Life—Seven corpses—Peregrinating professors—A "classic" is born—Classics, capability and cads—Blockbusting old ideas—The spectator's think-tank—Seeing and believing.1.CHAPTER I—REAL SECRETS OF MAGICa.—Taking up where we left offb.—New gods for oldc.—Exposing the exposured.e.f.g.h.i.j.k.—Skill or duffer—Giving the bird to the bird cage—Aren't we all duffers?—Ignoring the important—True skill—The real secrets of magic—False whiskers and attention—True or false.2.CHAPTER II—THE IMPORTANCE OF INTERPRETATIONa.—More of the sameb.—Exposure is impossiblec.—Can you read a magician's mind?d.—The performer paints his own picturee.—Interpretation to confoundf.—Convictiong.—By these signs ye shall know themh.—Acting-Diebox deception.3.CHAPTER III—CONVICTION AND NATURALNESSa.—The important ingredientsb.—If you believe it, it's soc.—Convince yourselfd.—Spectator instincte.—Naturalnessf.—How to convince without argumentg.—Disguise and attentionh.—Attention control comes forwardi.—Reasonsj.—The importance of convincing yourself.4.CHAPTER IV—WHATACTUALLY DECEIVES THE SPECTATORa.—Money to burnb.—Marked and borrowed, but found in an impossible placec.—Behind the scenesd.—The plant-Pilferagee.—Disappearing rubberf.—No machinery necessaryg.h.i.j.—All through psychology—The spectator's viewpoint—Disguise and attention—Money cheerfully refunded.5.CHAPTER V—THEPSYCHOLOGICAL EXPEDIENTSa.—Through the rnicroscopeb.—Simulationc.—Dissimulationd.—Interpretatione.—Maneuverf.—Pretenseg.—Ruseh.—Anticipationi.—Disguisej.—Diversionk.—Monotonyl.—Premature consummationm.—Confusionn.—Suggestiono.—Disguise plus disguise plus attention controlp.—And more of the same.6.CHAPTER VI—REACHINGTHE SPECTATOR'S MINDa.—The attack on the spectator's understandingb.—External appearances and interpretationc.—Suggestion and implicationd.—Danger in the direct statemente.—You can't force the spectator' s conclusionsf.—Inducement and persuasiong.—Confusion with a bank noteh.—Deduction versus induction.7.CHAPTER VII—PROCESSESWITHIN THE SPECTATOR'S MINDa.—The spectator must be deceivedb.—The spectator's perceptionsc.—The mind, only, perceivesd.—The spectator's consciousnesse.f.g.h.i.—Magicians must attack the spectator's understanding—Mind stimuli and idea association—The spectator's mind is not a pushover—He is consciously intelligent—Details do the trick.8.CHAPTER VIII—THE IMPORTANCE OF THE NORMa.—How the spectator views the performer's appearanceb.—The important normc.—Discord brings damaging attentiond.—Characteristic naturalnesse.—Bewilderment not deceptionf.—Disguiseg.—Dice and rabbitsh.—Palming a cardi.—Diversionj.—The importance of naruralness.9.CHAPTER IX—THENORM IN SPEECHa.—Speech in deceptionb.—The norm in speech patternsc.—Variations "telegraph"d.—What as well as howe.—Subject matter normf.—Undue emphasisg.—The strength of implicationh.—An example with bondsi.—With tubesj.—The norm in attitudek.—What magic really isl.—Imitation magic-Speech in attention diversionm.—The scorched thumbn.—Any solution destroys deceptiono.—Things important to the magician.10.CHAPTER X—THENORM IN PROPERTIESa.—Properties in deceptionb.—Familiar things accepted more quicklyc.d.e.f.g.h.i.—Handling for deception—A lesson from Kellar—Pulling the lesson apart—Applying the Kellar lesson—Tricky appearance destroys deception—A general idea satisfies the spectator—Strengthening deception by appearance of properties.11.CHAPTER XI—DISGUISEAND ATTENTION CONTROLa.—The magician has but two coursesb.—Disguise and attention controlc.—With a changing bagd.—How important does it seem to the magician?e.—Substituting a stronger interestf.—Disguise in many formsg.—Physical and psychological disguiseh.—Frames, stocks, bottles and miscellanyi.—The effectiveness of mixing the true with the falsej.—A magician's tool does not deceivek.—Disguising the tool.12.CHAPTER XII—SIMULATIONa.—Harping on an old obsessionb.—The true spectator responsec.—We can only baffled.—Seeing versus thinkinge.—Simulationf.—The necessary support to simulationg.—Bowls, egg bags, cigarettes, cards, ropes, turbans, billets, rings, eggsh.—Ultimately all is acting.13.CHAPTER XIII—DISSINIULATIONa.—Dissimulationb.—Acting againc.—Special decksd.—Preparing for dissimulatione.—More rising cardsf.—Bottles, clocks, production boxes, egg bags [ Pobierz całość w formacie PDF ]